Yesterday started so normal. Then. In other parts of yesterday. It got weirder.
I’ve had this idea floating around in my brain for like 4 months where I would make a short film about all of the embarrassing but incredibly normal things we as human beings do when we are home alone in our comfort zones. It is being alone with ourselves that I find the most interesting. (that sentence makes me sound like a freshman Philosophy major who sleeps through class because he doesn’t respect the value of a dollar.)
So. Yesterday. Yeah.
I went to work. On a Monday. Because it was a Monday. And you know this thing about Monday’s – and I’m 100% sure no one has ever mentioned this before and I am the genius who came up with this first forever…Monday’s aren’t great.
And you know why they aren’t great? Because on the weekend, if you were lucky, you got some alone time. And alone time is the best. It’s when you get to think. And feel. And love. And hate. And Master….skills. You thought it was going another way there. But I didn’t. Because I’m an adult.
So I had this video idea of being by yourself but narrating everything that was happening in your brain and I had a web-series that I’m writing. So, I thought hey, let’s destroy two birds with one stone and put those two things together. That’s my life right now by the way. The web-series that we’re shooting in June. I’m writing it and I have been for 6 months. It’s been done for 3 months. I’ve been editing every day. Rewriting entire episodes. It’s sort of all I think about when I’m not talking. Just for perspective.
When I was re-writing an episode I had the idea of making all of the characters do this thing where they narrate what they do by themselves and we see the differences between all of the characters. I thought it was a good idea. But it just didn’t work for me. I got no juice from it. I couldn’t wrap my head about it fully, so I had another idea, and wrote it. But I still liked the by myself idea as a concept.
Then came yesterday. I was bored. Finished my work. Low on creative energy. And a spark hit me which was so cool because it doesn’t happen very often. I texted my talented friend Steph, asked her if I came over her house in 30 minutes if she slap makeup on my face gracefully, she said yes because she’s the nicest. I went there. We talked about the video. She told me what it should be called, “One Man Show.” And then I left. Got home. Got the camera. Took out my new Rode Smartlav+ Microphone that hooks into your iPhone and or Android device. And went for it. 3 hours of shooting. Made it all up. 39 minutes of material. Imported it all. Edited sound on 27 clips. Synced the audio and the video. Edited for 3 hours. Cut it down to 8 minutes or something like that. And it was done and on YouTube. This entire paragraph is a humblebrag that makes me feel uncomfortable.
And I like it the final product of the video, which is a nice thing too.
I think I want to make this a series because it was fun to make and other peoples alone stories fascinate me. The stuff you do when you’re alone is so weird, and gross, and self righteous, and full of hubris, shame, love, hope, fear – you cover every emotion on the spectrum in complete silence looking at popcorn ceilings and sunsets. That stuff is beautiful and normal and so so so so so so funny. To me, it’s the times with no audience whatsoever people have the ability to be the best or worst versions of themselves – and that journey by yourself, I think, is inherently funny.
Also, for the record, I do hope very much that I get at least a C in my freshman Philo class – that Prof is such a narc.
If you don’t want to read my long winded diatribe about making movies and dreams coming true then here is this movie. I sincerely hope you enjoy it.
Oh – You would like to read about my love for filmmaking and how important friends are? Okay. Well then, here you go.
Ian and the Bishop started as a novel. It was about a character that was depressed and started drinking again only to be forced into saving himself by a new acquaintance and his drunken alter ego. It was based off of a very real character in my life that got thrown into a romantic dramedy setting because that’s what I know how to write. I got 4 chapters in before I realized I was writing a screenplay, not a novel.
For as long as I can remember I’ve wanted to make movies. I saw the film “Tall Tale” when I was a kid and it clicked in my head that this wasn’t just a fun story unfolding in front of me. This was a creative endeavor that real human beings put an incredible amount of hard work into and then came out on the other end with a finished product. I wanted that. I wanted to tell a story. But one person can’t make a movie, or at least, not the movie I wanted to make.
So I called my friend Dylan. He’s everything I’m not. He’s a wildly talented creative mind with a knack for the aesthetic piece of life. I needed him to say yes before anything else could actually happen. I was driving through New Haven, Connecticut on my way to Long Island for work way too early in the morning late in 2012 and called him with an epiphany.
“I want to make a movie.” I said.
“Umm. Okay. What kind of movie?” He replied.
“I don’t know yet. But I want to make one.”
“Oh….Alright then. Sure.” And Dylan was in. Way easier than I expected.
That week I took my fledgling novel and turned it into the first draft of the screenplay. When it was done I sent it to Abigail. She was the second piece of this puzzle that was absolutely essential to making a movie. She’s my box. And by that I mean, I come up with over the top crap and she brings me back down into a place that can actually happen. Everyone needs that kind of person in their life, and she’s mine. I sent her an email with the screenplay attached that started with, “Hey. Remember when you told me months ago that this novel would be better as a movie? Well…you we’re right.” She was both excited that I told her she was right and taken aback by how much work I had done in such a short amount of time. So, Abigail was in. We’re moving right along.
Then, very quickly, it all became super real. We were scheduling the audition date to fill out the cast. I was filling out paperwork/asking my favorite local restaurant locations very politely to secure locations. I was writing a shot list (basically, making the movie in your head before a camera even turns on) which I had never done before. We were editing the script. A lot. The final version of the script is very different from how it began. Dylan, Abigail, myself, and two script editors (Allie Rivera and Robert Pinney) helped me out a great deal in that department. The entire ending is different from how I first wrote it because all of them knew it had to be.
I asked my roommate Elliot Smith if he could be the Prop Manager because he knew how to get things. I asked my other roommate Ryan Gentner and friend Adam Carner to be additional cameras on the project – which by the way, some of my favorite shots came from both of them plus Dylan taking my ideas and making them better, which is exactly what a talented crew is for. I asked my friend Mike Storiale, the most well organized and level headed human being I know, to run the production from a logistics stand point. He made a calendar, which should not be overlooked. The hardest part about making a movie, hands down, is the schedule. Getting everyone in the same place at the same time. It is a true nightmare and Mike and I threw it at the wall and then hoped it stuck. Thankfully it did. I then asked my friend Marc Gibson to be a production assistant – the jack of all trades on a movie set – and he also obliged. He also ended up playing my older brother Tom in the film and in my opinion steals every shot he is in.
A few weeks before the casting call I realized movies require a hair and makeup artist. It is in this area where I was lacking in the friend department. When I came to this realization I scoured Facebook for people posting pictures of hair or makeup jobs they had done. I came across a friend I hadn’t talked too at length for a while – but her work was stunningly brilliant and I knew she would be perfect. I called Dylan and asked him if he thought Stephanie Gagne would help. He replied with something like, “I don’t know, probably, maybe just ask her?”
That’s something else I learned while making this film. Sometimes, if you just ask someone to do something, they will do it. It’s crazy. So I asked her, and she said yes. And through the movie I started talking to her and her fiancé/current husband JR who became a production assistant on IatB and would later become a Producer on the new film we made this year. But more importantly, he is the most passionate and enthusiastic person I’ve ever met. Through just asking I added two crazily talented individuals who made the movie that much better as well as two amazing friends. I asked her to be a part of the movie in early 2013. Last weekend Elliot, Marc and I were in their wedding party. The crew/my best friends screamed Africa by Toto on the dance floor at Steph and JRs wedding at the top of our lungs. Twice. I fucking love making movies.
The crew was set. But I still needed to cast 6 characters. 4 women and 2 men. Tavis and Marc filled the two male roles, bringing more talent to them that I could have ever imagined, but we still needed the women. Abigail ran casting like a well-oiled machine, and all I had to do was show up with a script and watch strangers say words that were once only in my head. They each read for two parts – the girl breaking up with Ian in the first scene and the female lead whose name was Emma. I was nervous to say the very least. Without an Emma, we had nothing. Just some pieces of paper that resembled a story.
As the auditions were happening we were finding very good actresses. They were beautiful and talented but they weren’t Emma. I knew Emma. She had been in my head for a year at that point. I knew her favorite book was The Fault in Our Stars and that her dream was to be a dancer. I knew she loved her father but missed her mother every day. I knew she wanted to go on adventures but she believed an adventure alone wasn’t an adventure at all. She wanted someone to make her better than she already was. And that person was Ian.
Casey McDougal was my Emma. She nailed it. From the moment she walked into the audition room until the moment we wrapped, she embodied that character. She made decisions that I didn’t write that made Emma real. When she left the audition I resisted the urge to chase after her and beg her on my knees to take the role. Thankfully she took it anyway, minus the begging. When I watch this film now all I can think is, “That is my Emma. And within every wonderful flaw, every matter of fact smile, and every time she hits Ian out of pure frustration, she was absolute perfection.” I thank the stars every day Casey came into our lives and I think Ian does too.
With that I need to take a moment to thank JD, Grace, Sehee, Samantha, Marc, and Tavis. I am incredibly thankful you all took the time and helped me create something so important to me. The movie is better because all of you were in it.
One more technical note before I go. Movies are made up of pictures and sounds. Sounds are half of the experience. We used most of the money from the Kickstarter campaign to buy microphone equipment that has served us well. Problem was, we never made time to really learn how to use it prior to shooting, so the entire shoot was a long uphill lesson in sound design. Some of the movie was only recorded in mono; some of the movie had the mic pointed the wrong way, etc etc. Sometimes it’s just bad. And I had to come to terms with that. A large reason this film took a year and a half to release is because I hated how it sounded. But with some elbow grease and a few hours of Dylan’s magical editing a year later we made it the best it could be. When you all watch our next film (Zer0s, coming to YouTube October 3rd) you will notice the sound is better. That is because my friends (specifically JohnRob, Marc, and Elliot) took it upon themselves to be better the second time around and they succeeded.
Making this film was an incredible learning experience and by far the hardest thing I’ve ever done. I never went to film school. I just wanted to make a movie. It was my dream. The thing I thought about late at night while staring at ceilings. And then I somehow tricked my friends into helping me do so. AND THEN I asked for donations to get us off the ground which exceeded my expectations and we were funded within the first two days. It was and still is pure insanity.
This film is not perfect. Not even close. But it’s done. And my friends/crew, family, and Kickstarter backers should be incredibly proud of themselves. You guys helped create something from nothing and to me that’s beautiful. Thank you so very much.
These are YouTube videos you may or may not have seen. Obviously the list is completely subjective, but I tried to make it so that it encompassed enough aspects of the YouTubes that you’d like at least one video.
I’m on YouTube more than most. YouTube and marathoning Netflix shows is my version of reading…plus sometimes, I actually read. I know…I’m insane.
There are many levels of YouTube depth. Ranging from: you watch Gangnam Style every now and again, to actually being subscribed to content creators and regularly following their posting schedules. I do the second one. Plus sometimes the first one. So, here are ten videos I want everyone to see. This can also be used as a test to see how much you’re on YouTube. If you get 10/10 that means way too much (like me) and if it’s 0/10 it means, get with the times brah.
Honorable Mention is Adam and I just cause:
I might do a sequel to this post in the future because narrowing this down was incredibly difficult. There are weird drum covers and epic rap battles I didn’t even get to show you….Oh well. And if you are really desperate to fall deeper into the YouTube depths go check THIS out and we’ll all see you in a few weeks.
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