Updates have been sparse due to the fact that I just finished principal filming and I’m soon to be editing a short film plus I’m writing a book with a release timeline of Spring 2014 – but I thought I’d give the blog at least a little something today.
Georgia Bound (Click for PDF) is a feature length film script I wrote in the summer of 2009 and edited with the help of my friend/editor Abigail Storiale – until I had a final product in 2011. Since then I’ve written two books and a short film that is coming out this fall plus a number of other things that no one will ever see and some things that people will see if they choose too.
The synopsis for the script is: In an effort to save his relationship, recent high school graduate Jim must venture south of the Mason-Dixon with the help of his new acquaintance, a mentally unstable taxi cab driver.
The script follows this kid who is desperate but is about to find out how far he would really go to save the only thing in his life that gives him happiness. It’s a coming of age tale and really worked out well as the first thing I had ever written because the premise isn’t a new one and the story is simple.
Through writing this I learned some film fundamentals – that every page of a script is about a minute of film time – there are certain points of almost every movie ever made that you should hit including establishing your major characters and then playing around with their personalities and eventually the all if lost moment followed by some sort of redemption. The all is lost moment is my favorite because once you know about it you’ll see it in everything. It’s basically the moment about 20-30 minutes before the end of the movie where all hope seems lost and you think there is no way for these main characters who hopefully by this time in the story you are rooting for will pull this one off – but then miraculously they find a way! Most movies are like this for a reason – a large portion of the population loves the formula. So for my first go at a movie script, I used it to teach myself that exact formula.
At the time I wrote it because I just wondered if I could write a movie script. Prior to sitting in my basement for two months that summer I had never written anything of creative worth – so this was a total shot in the dark. Now it serves at a spec script, meaning that it will hopefully someday prove to someone with a bunch of money that I can write a movie. If you find the time I invite you to give it a read – I’m very proud of it, and not because I think it’s amazing (I don’t think that) but because I think that I had an idea one day and then worked on it until I liked it – which is the most important part in my opinion for anything you choose to do in life.
Have a good one,
Ryan